Holley Waterfall
The key to a successful waterfall image is getting the water blur just right. On this shot the water was half blown out highlights from the sun and half in shadow. I used f-11 in aperture priority on seven bracketed exposures. I then added 4x neutral density filter and exposure compensated the the camera with a -2. This allowed me to composite the images in HDR and save all the highlight and shadow details. The blur in the water will automatically happen with this technique.
Spring Waterfall Workshop 2016
Today was a big success for our annual springtime waterfall workshop. Six waterfalls and decent weather. All the waterfalls had good flow except Lockport was a little weak. Here is a shot of Akron falls. I will be posting many images from this set. I took 589 pics and did some experimental things that I will explain as I show them.
Saw this on Dpreview today and thought I'd give it a try. It's called the Orton layers effect and you can read about the process here. Dpreview.com An interesting process, not sure how much I'll ever use it, but it's another tool in my arsenal of post processing works.
The King of Beasts
Another shot of Tiberius the lion from yesterdays trip to the zoo. He seems to be quite the poser. I love the way I can bring out all the details in his face with Aurora HDR Pro.
Martin's Mill
Martin's Mill Covered Bridge in Greencastle, PA. Built in 1849, Martin's Mill Covered Bridge is Pennsylvania's second longest covered bridge.
McGees Mills in May
I walked down the banks of the Susquehanna river to get this shot of the McGees Mills covered bridge. I used a R-79 red filter to get the infrared effect.
Niagara Falls State Park
View of the upper Niagara rapids. I used a 10X neutral density to slow down my shutter to 2 sec. to blur the water. I also made a two exposure panorama of the scene and merged the images together in Photoshop CC.
On a recent trip to the Washington County Museum of Fine Arts I took a few indoor pics. The lighting can be challenging because the room is a lower ambient color temperature ( 3400K ) than the skylight color temperature (5250K ). The trick is to balance the two light sources to make an image close to what the scene really looked like. You could take two separate images at each color temperature and blend them together in Photoshop. I didn't have a tripod with me so I only took one picture and blended my image with Aurora HDR Pro to get the same effect.
High Key Portraits
Proud grandparents with their three grandchildren portrait. I used the Nikon CLS feature for this shot. I have one SB600 on a David Zeiser shoot thru umbrella on camera right at +1 power. One SB600 bouncing off the white wall behind the camera at -1 power and one SB800 bounced off white ceiling over head for hair light at 0 power. All three flashes are triggered with a SB900 on camera used as a master to the other remote set flashes. With this system I can control the light output of each light to get the rounded modeling on my subjects and still maintain good light on my subjects faces. Nikon D3, iso 400, 1/160th at f-11.
Grape Hyacinths
I used twenty one images focus stacked in Zerene Stacker to make this image. Iso 80, f-8 at 1/400th sec.
This tiger image lacked photographic impact. The color and contrast is flat and needs a pick me up. I used Aurora HDR Pro to bring out the contrasts and added some layers to bring out some colors in the textures.
The image now has photographic appeal and with the added enhancements makes my image pop.
This How We Do It...
A lot of my friends ask me how I like to finish a picture. I always tell them it's a matter of preferences of what the photographer likes. Some like a more realistic image while others like over saturated or HDR effects in their works. The truth is, what ever makes you happy is the best application for you. I constantly change or try out many different techniques in my post processing because I like to keep up with the new and changing soft ware and my personal tastes change over time too. Generally I prefer a realistic look with a slight touch of extra color and detail. Here is the way I usually approach my work.
I upload all my images to Adobe Camera Raw and make a back up copy for safe keeping. I use one copy for post and I look for an image with pose that pleases me. I find with animals, pictures with eye content with the viewer make great choices. I then check to make sure the image is razor sharp especially in the eyes. I then open the image in the raw converter.
In the converter I make adjustments to exposures and any minor cropping I decide. I do not like to crop a lot. I mostly do it to assist the composition. In this case I didn't have enough reach with the 400mm lens I was using so I had to crop more than usual. I also set the sharping and noise slides to 0. These need to be applied later on.
I now use Aurora HDR Pro to bring back the highlights add any color saturation and detail. Constantly switching from 100% to fit viewing mode to make sure any changes I make do not destroy the image quality of the pixels. I find I can really get the 3D effects I like with this application so I have incorporated in to my main process. Here is where most of the magic is done. I add my sharpening and noise reduction here. Once I am satisfied with my image I open it in Photoshop CC.
Here I clone out any unwanted items that will distract the viewers eye. This image had sunlight reflections in the background I felt needed to be eliminated.
Here is a thing I like to do. I rotate my image 180 degrees and add a soft layer mask that lets me lighten or darken any areas I want. This technique shows me if my composition is working and lets me blend in or out the subject matter to make my image pleasing to view.
I save the image to my files, then resize the image for the web.
Here is the finished image. Hope you enjoyed reading this and I hope it will help you become the photographer you want to be.
Siberian Tiger
A trip to the Buffalo zoo today was productive. I got some great shots and will be posting them here as soon as I get them processed.
King of Beasts
Lion, iso 800, f-5 @ 1/160th, -1.3 exposure comp. 400mm. Not my usual method of post processing because I used way too many software programs and way too much time doing it. Adobe Camera Raw > Photoshop CC > Aurora HDR Pro > Photoshop CC > Light Zone > Photoshop CC. one hour of time. Although the finished product is nice I am not convinced its reasonable to spend this amount of time on one image. Anyone else have thoughts on this?
Becoming an Artist
This is a great Facebook group for people who want to become an artist with their photography. Just looking at some of the creative images that people are shooting is inspirational enough to follow here. Today billions of photos cross the internet and if you plan on making a showing here you need to break out of the box and this site will show you how its done. Trey Ratcliff uses his off the wall humor and casual shooting style in this funky lounge as he calls it to motivate your imagination to create beautiful images. Give it a look and see for yourself.
Penny Close up
Macro using Canon powershot SX50HS fitted with Raynar 250 close up filter. Extended to about 200mm to keep the entire penny in the frame. This combo is capable of zooming in very close if needed.
Experiment with your art. Be creative. Don't be afraid to explore. All too often we worry about what other people are thinking about our photography and maybe it isn't good enough. Well I say photography is an art form and you should focus on pleasing yourself with your art. If other people think your work is great too then that is a bonus, but have fun and enjoy your artistry. Who knows where it will lead.
An attempt to focus stack 98 images skillfully. For lack of a better subject I just wanted to stagger these match heads about 1/2 inch apart. Using my standard macro set up I meticulously moved the dial on my macro rail one millimeter per shot so I would be able to gain maximum depth and render all the heads sharp. They have machines that will do this for you automatically but I prefer doing it by hand to add a bit of skill set to my photography. All in all it was a positive try. I didn't notice at the time of shooting that I didn't have the one match head in the middle in better position to see more of it, but what you can see that head is still in focus.
Free Pluggins from Google
Nik soft ware is now offering all their plugins for free. All seven, Analog Efex Pro,
Color Efex Pro,
Silver Efex Pro,
Viveza,
HDR Efex Pro,
Sharpener Pro,
Dfine. These programs bundled probably cost around $350 and now Google is offering them up free. It dosen't get any better than that. Check it out here: Google Nik Collection
Spring Waterfall Workshop 2016
Don't forget about our spring waterfall work shop. Only two openings left. May 11th, hands on waterfall training of seven different types of waterfalls, 10 hour course, lunch and transportation to the waterfalls included. $150 per person. Must have camera with manual adjustments and tripod with you. Contact me if interested at: muth_gary@yahoo.com
What are the Odds?
Redo of a shot I took at Pocono Downs of a driver seriously checking out the odds board before the seventh race.
A Good Finish is Important
This picture of the Dunkirk lighthouse was taken on a overcast day in mid afternoon. The image is dull and lifeless. With good post processing techniques you can find a way to save this image. I used Aurora HDR Pro to bring up the vitality of this image. I then used layers to bring back the sky. Good camera skills are important but if you don't have a clue what to do with your image afterwords then its all for naught. Spend 40% of your time learning good camera technique and the 60% on good post processing skills. Your work will shine.
Fungi Macro
I focus stacked 33 images to capture this tiny mushroom. Shot with Canon Powershot SX50HS. Exposure was iso 80, 1/250th sec. @ f - 8. Raws converted into Tiffs with Adobe Camera Raw. Stacked in Zerene Stacker. Processed with Aurora HDR Pro. Sized for the web in Photoshop CC.
Wrong Side of the Tracks
Interesting thing about this shot is that for your own safety it is illegal to photograph on train property without permissions. So I found it weird that the sidewalk I was on crossed the train tracks with no signal signs or lights to warn of on coming trains. So if you're one of those photogs that think photographing people like seniors or brides on train tracks is great because the rails tend to draw the viewer into the picture and makes great composition, guess what you and your clients are trespassing and could be prosecuted. Shoot responsibly.
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